strange highs & strange lows
A collection of inspiring objects, spaces & processes to inform design thinking.

+++ Alysse is an industrial designer based near Los Angeles, and recent graduate from the School of the Art Institute of Chicago +++

http://cargocollective.com/alyssefilipek
strange highs & strange lows
+
designcube:

ROOM Collection Furniture System by Erik Olovsson & Kyuhyung Cho
designcube:

ROOM Collection Furniture System by Erik Olovsson & Kyuhyung Cho
designcube:

ROOM Collection Furniture System by Erik Olovsson & Kyuhyung Cho
designcube:

ROOM Collection Furniture System by Erik Olovsson & Kyuhyung Cho
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everything-creative:

The Turn furniture collection is a beautiful and clever combination of two traditional materials reinterpreted in a modern style. This objects made of wood and ceramics are designed by Alessandro Zambelli for Seletti.

Everything Creative on Facebook
everything-creative:

The Turn furniture collection is a beautiful and clever combination of two traditional materials reinterpreted in a modern style. This objects made of wood and ceramics are designed by Alessandro Zambelli for Seletti.

Everything Creative on Facebook
everything-creative:

The Turn furniture collection is a beautiful and clever combination of two traditional materials reinterpreted in a modern style. This objects made of wood and ceramics are designed by Alessandro Zambelli for Seletti.

Everything Creative on Facebook
everything-creative:

The Turn furniture collection is a beautiful and clever combination of two traditional materials reinterpreted in a modern style. This objects made of wood and ceramics are designed by Alessandro Zambelli for Seletti.

Everything Creative on Facebook
everything-creative:

The Turn furniture collection is a beautiful and clever combination of two traditional materials reinterpreted in a modern style. This objects made of wood and ceramics are designed by Alessandro Zambelli for Seletti.

Everything Creative on Facebook
+
worclip:

Furnitecture (2014) by All In Studio

Modular furniture for fast living people! Nomad series.
worclip:

Furnitecture (2014) by All In Studio

Modular furniture for fast living people! Nomad series.
worclip:

Furnitecture (2014) by All In Studio

Modular furniture for fast living people! Nomad series.
worclip:

Furnitecture (2014) by All In Studio

Modular furniture for fast living people! Nomad series.
worclip:

Furnitecture (2014) by All In Studio

Modular furniture for fast living people! Nomad series.
worclip:

Furnitecture (2014) by All In Studio

Modular furniture for fast living people! Nomad series.
worclip:

Furnitecture (2014) by All In Studio

Modular furniture for fast living people! Nomad series.
worclip:

Furnitecture (2014) by All In Studio

Modular furniture for fast living people! Nomad series.
worclip:

Furnitecture (2014) by All In Studio

Modular furniture for fast living people! Nomad series.
worclip:

Furnitecture (2014) by All In Studio

Modular furniture for fast living people! Nomad series.
+
designcube:

Plateau Unit by Note Design Studio
designcube:

Plateau Unit by Note Design Studio
designcube:

Plateau Unit by Note Design Studio
designcube:

Plateau Unit by Note Design Studio
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myampgoesto11:

Mat Collishaw: The Yielding Glass, 2014 
Lead-bonded stained-glass, wooden seed tray with soil and wild flowers, hydroponic lamps and reflector, steel table
1700mm x 1000mm x 1000mm
My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Mat Collishaw: The Yielding Glass, 2014 
Lead-bonded stained-glass, wooden seed tray with soil and wild flowers, hydroponic lamps and reflector, steel table
1700mm x 1000mm x 1000mm
My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Mat Collishaw: The Yielding Glass, 2014 
Lead-bonded stained-glass, wooden seed tray with soil and wild flowers, hydroponic lamps and reflector, steel table
1700mm x 1000mm x 1000mm
My Amp Goes To 11: Twitter | Instagram
myampgoesto11:

Mat Collishaw: The Yielding Glass, 2014 
Lead-bonded stained-glass, wooden seed tray with soil and wild flowers, hydroponic lamps and reflector, steel table
1700mm x 1000mm x 1000mm
My Amp Goes To 11: Twitter | Instagram
+
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
darksilenceinsuburbia:

Tamsin van Essen
Erosion Series
This work explores erosion and the disruption of form. Focusing on biological erosion, I wanted to convey the idea of a host being attacked and eaten away by a parasitic virus, highlighting the creeping spread of the infection as it corrupts the body. I have produced a series of angular porcelain forms, sandblasted to wear the surface and reveal inner strata. This aggressive process, contrarily, creates a delicate vulnerability in the shape. The translucency of the porcelain and the interruption of the surface make it possible to glimpse through to layers beneath, creating a tension between the seen and the obscured.
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volcanveins:

putitinthepizzza:

#Seltanica #Lamp 

UNF THANK you sheebs
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usfsacd:

Laura Lozano, USF School of Architecture, Class of 2016 Class: “Highline Project” - Fall 2013, Prof.Sanders
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photogra-ph:

modular storage | A+A cooren design studio
photogra-ph:

modular storage | A+A cooren design studio
photogra-ph:

modular storage | A+A cooren design studio
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calumet412:

Tuition fees at the Art Institute, 1909, Chicago.

HAHAHAHAHA…*softly cries into student loan statements*